Monthly Archive for September, 2006

Does This Blog Make Me Look Fat?

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Blamer Phemisaurus gets the picture.

A Few Remarks On A Few Remarks

Well, dip me in honey and bake me in a cake. Salon’s Page Rockwell and Ilyka Damen’s Ilyka Damen, swell writers both, have not only read my fluff piece on BUST magazine, they’ve demonstrated their discriminating tastes by honoring it with some critical analysis in their electronically published forums. What they write more or less boils down to — and I despair of putting words in innocent young bloggers’ text fields, but really, if you can’t executively summarize a fellow bullshitter, who can you executively summarize? — “Twisty sort of has a point, but damn, her finger-waggin-crazy-talk is gonna ignite another bloody feminist blogospherical feud.”

Can it be true? Have I presented ‘feminism’ in a manner so inflammatory, so instigative, so unpalatable to the mainstream, that other feminists, upon exposure to my seditious dialectic, will be diabolically compelled to rip each others’ blogular faces off?

If you haven’t read the essay in question, the gist is this: that BUST, a young women’s indie-hip lifestyle magazine with a purported feminist slant, merely re-brands materialism as ‘feminism’; that for all its empowerful sass, it’s really just another philosophically empty fashion rag hawking ‘girly stuff’ in the traditional style. Using BUST to illustrate the vacuity of this new ‘fun feminism’, I further opine that feminist ideology, from the point of view of the radical activist spinster aunt, is in fact somewhat less about shopping for vibrators than it is about liberation from the tyranny of white male oppression.

I don’t know whether or not my post has ignited the prophesied fracas (as of this writing Technorati sez not, but of course Technorati is a tool of the patriarchy), but nevertheless, this morning a dark cloud hangs over my troubled bungalow. The origin of that cloud is this:

How come, whenever I write a “What Feminism Means To Me” essay, the other girls cringe and worry that my lonely-out-here-on-the-radical-fringe opinion will launch some sort of global auto-destructo apocalypse? How am I supposed to take that? What’s the hidden cryptic subtext?

That she shall be roundly chastised who threatens, with ideas, the peace and harmony of the other feminists, even as they graze placidly on the patriarchal green?

That I should resign my membership in the Society of Dissident Spinster Rhetoricians?

That, for the sake of ‘the movement’ (if such a thing even exists), I should realign my beliefs with the heteronormative feminine majority, so as not to scare off potential recruits who might still have a sizable investment* in the ideology of dominance and submission?

That discourse can be beneficial, but only when nobody’s feelings get hurt?

That iconoclasts who advocate unpopular challenges to the status quo should just put a sock in it?

Now, don’t misunderstand me; Page and Ilyka aren’t exactly telling me to shut up. They aren’t even taking sides. Their remarks more closely resemble objective reportage, with a little of the old “crap, can’t we all just get along?” thrown in. They describe, based, no doubt, on empirical evidence, a familiar pattern: that whenever Feminist X takes it upon herself to define feminism, Feminist Y (who happens to like lipstick, thank you very much, for its intrinsic value) immediately takes it as a personal affront and dashes off a “Who died and made you King of the Women?” retort. Page and Ilyka, they despair of this phenomenon. An ism divided against itself cannot stand, etc.

Well — surprise — I disagree. I mean, I suppose confrontation is unpleasant; all of us, feminists or no, have been trained from the cradle, as befitting submissives, in conflict-avoidance. And sure, it would be really nice if we could all just agree, once and for all, that I’m right. But we’ll never achieve anything like a consensus until we agree on the nature and extent of the enemy, and that’s gonna take some doing. To wit: patriarchy, though ubiquitous, is largely invisible. Women are understandably reluctant to concede that their deep attachment to the trappings of patriarchy (marriage, femininity, gender, fashion, porn, religion, beauty, the nuclear family, pink tool kits, et al) is not the manifestation of empowered personal autonomy, but rather a survival skill.

So is intramural squabbling ‘wasted energy’? No way. These blogular bloodbaths, tedious though they may be for seasoned professionals who have seen it all a million times, not only aid the intermediate blamer-commenter in fleshing out her views, but they soup up the general feminist presence on the World Wide Web. There’s no such thing, girls, as bad linkage.

Meanwhile, I must reiterate that I’m just the rhetoric guy. I don’t hold public office, I don’t mold Official Feminist Policy,and I don’t control who gets a membership card. My (arguably negligible) contribution to ‘the movement’ is to articulate principles central to an argument opposing Truth to popular belief. By which I mean, I sit around looking at white male privilege through radical-colored glasses. Then I pinpoint instances of chump-ass patriarchal orthodoxy masquerading to the casual observer as cosmic truth, and reveal my findings in these innocuous essays.

Naturally, if one of’em happens to fuel the fire of dissent, well, that’s just icing on the cake.
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*Dude, the footwear alone can cost a fortune.

When Eating Disorders Go Digital

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A propos of the fat/thin discussion of a couple of days ago, blamer Rebecca sends the following communiqué. If you’re pressed for time, I’ll give you a synopsis: She blames the patriarchy for a consumer electronic woman-shrinker, and closes with a poetical expression of her acute sensitivity to and appreciation for Truth and Beauty (I have helpfully put that part in boldface).
* * * * * * * * * * * * * * *

Dear Twisty,

I blame the patriarchy for HP’s newest photography tool: the slimming feature.

From the HP website:

“With the new slimming feature, anyone can appear more slender, instantly! The slimming feature, available on select HP digital camera models, is a subtle effect that can instantly trim off pounds from the subjects in your photos!”

Note that the demo makes it clear that “anyone” = women. Women are the targets for digital slimming, presumably because women of the body sizes found in nature disgust the fat, pasty, balding guys who designed this feature.

Because the women used as models are already slim, dammit, I guess we can file this under “when eating disorders go digital.”

BTW, I have been reading your blog for several months, and it is my favorite. You’re the best. Keep up the good blaming!

BUSTed

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A key element of ‘truly embraceable women’s culture’: Marcia Brady hair, and how to get it.

The October issue of BUST rests on my table, next to an empty water buffalo yogurt container. I have to admit, buying it was a mistake. Because I am addled, I mistook the BUST for a Bitch. It didn’t occur to me to wonder “why is there an issue of Bitch magazine in the checkout lane at Whole Foods?” (Before chemo destroyed my brain, I was capable of differentiating between BUST and Bitch, and between the checkout lane at Whole Foods and the magazine rack at Book People. Seriously.)

Anyway. This episode reminds me: several years ago I purposely subscribed to BUST. I was intoxicated at the time. I mistook the magazine’s glossy indie-hip chick-centric schtick for feminism. I did this partly because BUST told me it was feminism, and partly because I wanted it to be feminism. At last! I said, a publication that doesn’t think “feminist” means “humorless frigid ugly bitch who can’t get laid.”

My enthusiasm would wane after a couple of months, however. I had to bail when it became apparent that BUST couldn’t put out an issue that did not contain at least 57 heteronormative articles by “feminist” porn stars on how empowered we all are now that we have our Hitachi Magic Wands (“What, you haven’t bought an Hitachi Magic Wand yet? Omigod, they’re so bodaciously empowerful! Nina Hartley says it, I believe it, and that settles it!”).

BUST, it turned out, was, and still is, written for what a wry blamer recently called “fun feminists” — that is, women who identify as sassysexy young urban consumers of femininity. You know. The Grand Acquisitors. Or Carrie Bradshaw.

As BUST editor Debbie Stoller sez, in the highly imitable girlfriend-to-girlfriend style of women’s fashion magazines the world over, “Of course, we devote space in our pages to typical “feminist issues” such as abortion and equal pay, but we’re also determined to create a truly embraceable women’s culture, so that reading BUST can help you feel good about being a girl.”

Or, more precisely, it can make you feel good about fashion, fucking, and shopping. In this month’s issue the sassy fun feminine feminists can

  • Find out where “to stock up on gorgeous cotton pajamas and lingerie.”
  • Read quotations from celebrities (get a load of Kiera Knightley: “I was like, ‘I don’t mind you making them bigger, but don’t give me fucking droopy breasts! They look like your grandmother’s tits!’”).
  • Take a nostalgic look back at AT&T’s “iconic” Princess phone.
  • Peruse hundreds and hundreds of ads for jewelry (like a bracelet engraved with the word “money”), purses, shoes, pink (I kid you not) tools, sex toys, scented panties, cosmetics, and clothes, clothes, clothes, clothes, clothes.
  • Find out where to buy a “prosthetic neck wound” for “thrills” as a “realistic” Halloween murder victim.
  • Learn how to “spruce up last years wedge [heels]” with blue swan appliqués.
  • Find out that “Marcia Brady hair” is once again coveted, and how to get it for yourself (Marcia Brady hair requires half a page of instructions and seven “tools of the trade,” including several chemical products and two electric appliances).
  • Enjoy an 8-page fashion spread featuring cheap crap from China, complete with prices and stores, depicting how to dress like a Teddy Girl (“In 1950’s Britain, the tomboyish Teddy Girl style drove the rocker boys wild”).
  • Read reviews of beauty products with fake French names (“Spongellé buffed my skin like a mini Zamboni, and the roughness really appealed to my inner masochist.”).
  • Jerk off while reading softcore (“Grabbing my tit with his left hand and my crotch with his right, he’s panting heavily into my ear. ‘How’s that pussy doin, baby?”). Booya.
  • In printing “all kinds of great girly stuff” BUST may be entertaining, but calling it ‘feminism’ is quite the howler. Feminism isn’t ‘fun.’ It’s not about shopping for cheap campy crap at the ‘Boobtique’ or getting off. It’s about political action on behalf of a class of people who are culturally, socially, politically, inellectually, physically, and violently oppressed, impoverished, abused, enslaved, objectified, raped and murdered.*

    In her interview with Amy Poehler, Jill Soloway,** an avowed fan of BUST, inadvertently reveals the grim truth about all this fun-fake-feminism when she admits,

    “Well, I’ve always been super-sex-positive and everything, but sometimes I feel like I want to be a Muslim woman in a burka; I feel like the only way I can get my power back is to peer at the world through a strip. Because I feel like women aren’t looking at all anymore – there’s no looking left. We’re only looked at.”

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    * What? You say I’m being feministier than thou? You can shove it up your Vinnie’s Tampon Case ($13.95 plus shipping and handling).
    ** Show of hands: is it just me, or do other innocent young feminist bloggers get weekly spams from sassy sex-positive Jill Soloway hyping her latest book or nightclub appearance or used tampon or whatever?

    Girls Sports: At Last, A Repository For Mediocre Boys

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    This photo of the Faster family patriarch demonstrating the combined soporific effects of the Walll Street Journal and my lime green recliner has nothing to do with today’s post. In fact, there isn’t a post today. What there is, is, a link to a news item, followed by a question.

    The news item, here, reports on a situation in Winnipeg wherein a couple of schoolboys, reacting to a ruling allowing two girls to try out for a boys’ hockey team, want to invoke this ‘gender equity’ dealio in order to try out for a girls’ basketball team.

    The question: Well, what about it?

    Patriarchy, 1; Teenage Girls, 0

    As a new day dawns over the Twisty Bungalow, I ingest this cheery report* on an apparent upswing in the ratio of sex slaves to non-sex slaves within the Alameda County, California population of teenage girls.

    Yup, the sheriff’s department Sexual Offenders Tracking Unit, as part of the dominant culture’s ongoing effort to buttress one of its all-time fave cultural narratives (Virgin vs. Whore), has been “putting the heat on prostitutes.” While discharging these patriarchal ass-kissing duties, they’ve noticed that, although the “trend” is “nothing new,” they feel like they’re arresting more teenage girls than ever before.

    Whether or not this anecdotal evidence is indicative of an actual teen prostitute riot (the Sexual Offenders Tracking Unit to which I allude above is basing its theory of this “sudden trend” on their having arrested four girls in the last couple of weeks) is only marginally of interest. Two aspects of this “news” item that particularly chap the Twisty hide are (a) the dogged persistence with which proponents of the status quo engage in the wholly asinine activity of jamming up hookers of any age, and (b) the collaborateurism of news media in reporting these bogus teen hooker roundups.

    Why is arresting prostitutes asinine? Any moron can tell you that the sex industry exists to service pervy porn-sick male violence. That same moron, if he is not a complete tool, can also tell you that arresting prostitutes doesn’t do jack to mitigate that pervy porn-sick violence. All it does is perpetuate the myth that slutty fallen women are to blame for male sexual aggression**. The community can look itself in the mirror if it believes that its henchmen are tough on crimes that threaten ‘family values’ while blissfully ignoring the fact that the johns who buy sex are their own menfolk.

    Why is the concomitant reportage asinine? It almost universally misrepresents girls and women, rather than pimps and johns, as the ‘problem’, and it does so with titillating details about “sudden trends” and “thirteen-year-olds having sex!” In the Tri-Valley Herald piece, for example, we learn all about the teen sex slaves (“Most are runaways who are being taken advantage of by older men”; “The pimps convince the girls that they love them”; “The young girls are physically and sexually assaulted by the men before being forced into prostitution”; “These guys just prey on young girls.”), but not until the last two sentences is there even a half-assed mention of the pimps (“detectives do what they can to have the men prosecuted to the fullest extent of the law.”), and no word whatsoever on the slimebags who pay to rape these girls.

    The Alameda County sheriff’s department, therefore, shows remarkable forbearance when it dares to wonder whether justice is really served by “tossing” these exploited 13-year-olds into juvy when they could maybe get them into support programs instead. That the Tri-Valley Herald reporter calls this a “delicate dilemma,” when in fact it merely describes a systemic reluctance to extend basic human rights to teenage girls, just shows to go ya.

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    *The Tri-Valley Herald places punctuation low on its list of journalistic priorities — just a heads-up for those who haven’t had coffee yet.

    ** Before protesting that not all men who use prostitutes are aggressive, please recall that prostitution represents the pinnacle of human civilization’s endemic misogyny, and that any act involving the exercise of dominance by a member of a privileged class over a member of an oppressed class qualifies as aggression.

    Mommy

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    A. afarensis, as imagined at Archaeologyinfo.com

    A recently discovered juvenile Australopithecine skeleton has been dug up, to which mouldy old fossil the New York Times warmfuzzily alludes as a “little girl.” The author goes on to refer to adult females of the species, who very likely swung from trees, as “women.”

    A. afarensis, swings—if the reader will forgive this brief foray into the obvious—four or five branches back on the hominid phylogenetic tree. We’re not even in the same genus. Whether afarensis is a direct predecessor of even H. habilis or H. ergaster is debatable. Us modern gals have more in common with—dare I say it?—bonobos.

    Blamers, of course, have long known that, though womanhood is contingent upon many things, human status ain’t one of’em.

    Nothin against Australopithecae, but they’re, like, so 3 million years ago.

    Another Bourgeois Crisis

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    Alien on his way to the Delta Quadrant, or model at a Michaal Kors show? You decide.

    Breaking news at the NY Times: fashion models may be dangerously thin.

    Well, knock me over with a feather.

    Here’s an excerpt, since free access to this gripping article will disappear in a couple a days.

    “At a Vogue party on Monday for a young designer competition, the model Jessica Stam expressed [...] dismay. ‘There are a lot of girls doing the shows who are very thin and frail,’ she said. ‘I don’t know if they are healthy or not, but I don’t think the frail, fragile look is very feminine, and I don’t think it’s attractive.’ ”

    Dismayed young Jessica Stam knows what time it is. She knows that, despite the urgency with which one modeling agent remonstrates against couture’s eating-disorder culture (“We are minutes away from a catastrophe!”), nobody really gives a rat’s ass about the actual health of runway models; femininity and attractiveness, those fluid concepts defined according to the whims of misogynist male designers, are all that matter.

    Femininity and attractiveness: the ultimate measures of success in the cut-throat world of competitive womanhood; the logos of the sub-humanity to which all loyal subjects of male dominance aspire. Loyal subject Jessica Stam “expresses dismay” about sick-thin models, not, one suspects, out of humanitarian saintliness, but out of fear. Hers is the fear shared by all members of the sex class: that the misogynist asswipes who call the shots have changed the beauty rules again. That they have redefined femininity and attractiveness such that Jessica Stam will no longer be able to qualify. After all, it takes a real commitment to fashion/patriarchal ideology to follow it into anorexia. Young Jess may not have the cojones.

    But once enough women learn that ‘near-death’ is the new ‘pretty’, models who can breathe on their own will become passé, and designers will raise the bar again. Next year, look for Michael Kors’ models, skeletons on life support, to be wheeled down the runway on gurneys, gurgling.

    And Another Thing, Vol. III

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    The author stands unaided at a Tex-Mex joint for the first time in 5 weeks. Foto by Stingray.

    A few days ago I announced that I’d be revamping the blog. Just to clarify: what you see here is not, at least at this writing, the finished product. This is the WordPress default. I began working on the new template last week, but got sidetracked when I unexpectedly discovered that I could walk without crutches (of course, by walk I mean hobble slowly and piteously, dragging my heavy black fracture-booted leg behind me).

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    This ambulatorical revelation caused me to spring (and by spring I mean hoist with superhuman effort the flabby corpus) from my futon prison with a glad cry, whereupon I was compelled to give more of a crap about going and finding a taco than about cascading style sheets (I found my taco and a sexay layday—see foto, above—at Polvo’s). This non-sedentary, taco-centric mood has persisted, resulting in the paucity of new improved blogular improvements. Sue me.

    Crunch For The Cure

    What will happen to global consumerism if breast cancer is ever really cured? Luckily for SunChips, it seems unlikely that we’ll find out in the forseeable future.

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    Sun Chips bag with crass advertising slogan found, amid other Austin City Limits Music Festival garbage (you’d think they’d held the thing in my front yard) in the Twisty Driveway September 17, 2006. SunChips is a ‘proud supporter’ of the ignominious Komen Foundation. If you spend 39 cents to mail in the UPC code from this ’specially marked pink ribbon bag’, SunChips will donate 25 cents to Komen. What a deal.

    You guys think all I do is I lie around all day watching the Turner Classic Movie channel on cable. Well, I won’t lie to you. I do. Yesterday afternoon, for example, I soaked up a couple of noir exemplars (“Hud”and “Winchester 73″)* and was ready for more, but Stingray pried me up and toted me down to Polvo’s (where, claims S, in an unheard-of break with Tex-Mex culinary cliché, the veg tacos are seasoned with— holy shit—tamari). These old Hollywood flicks are in many ways a laff riot, and I absorb’em like a sponge. But even I draw the line when TCM is showing, as they did the other day, a feelgood “family comedy” like saccharine overdose “Angel In My Pocket”, starring Andy Griffith as a homespun Protestant minister in Whiteyland circa 1967; at such junctures, I whip out a book.

    Recommended by a fellow blamer (you guys come in so handy sometimes) the book I whipped out to get me through the Andy Griffith interlude was Samantha King’s Pink Ribbons, Inc. What a page-turner. It concerns a subject I enjoy finding despicable, the “market-driven industry for [breast cancer] survivorship”. [It may or may not interest you to know, if you're just joining us, that my fascination for this topic is not merely academic; I was diagnosed exactly a year ago with stage 3 breast cancer.]

    If you were to ask any space alien—who happened to be dropping by on its way to the Delta Quadrant—about breast cancer, it would undoubtedly tell you that, according to its personal observations, the primary symptom of the disease is a dramatically increased propensity to sprout pink teddy bears, pink visors, and pink rhinestone jewelry. Of course you and I know that infantilizing misogynist teddybear rhinestone pinkness, cancer-o-normative though it may seem, is actually just one of the most successful campaigns in the history of marketing gimmicks. Thanks to unprecedented support in terms of cash and selfless volunterrorism, breast cancer is currently the most popular disease in America.**

    Under the noble auspices of charity, argues King in Pink Ribbons Inc, global corporations, politicians, and regressive white middle class American “family values” are all getting a big shot in the arm from the pink ribbon juggernaut. Corporations secure, with impunity, free publicity and a means to expand their market share via enlogoed “awareness” campaigns. Politicians support virtually unopposable “bipartisan” breast cancer funding initiatives as directed by behemoths like the massively influential and reactionary Komen Foundation and come out smelling like a rose. The rank and file, conditioned by now to believe that there’s no problem shopping can’t solve, are invited to feel virtuous and altruistic whenever they buy a Yoplait yogurt or a pink KitchenAid mixer.

    But where’s the activism? The ostensible focus of all this pseudo-philanthropic pink jockeying is a kind of nebulous breast cancer “awareness,” rather than any serious effort at prevention or investigation into what actually causes breast cancer in the first place. Furthermore, once all this “awareness” has produced, via mammography outreach programs or self-exam propaganda (both masquerading as “prevention”), a positive diagnosis, there’s not any great push to secure treatment for underserved women.

    In other words, when you think of a breast cancer “survivor” you don’t picture a poor black grandmother living in squalor without health insurance (and you certainly don’t imagine a woman who, because of sensible research efforts, never got cancer in the first place.) The Breast Cancer Brand woman is a pro-patriarchy white chick: middle-class, straight, virtuous, concerned with maintaining her femininity, and married with two above-average kids. Ordinarily she’d be content with her life as the unassuming, unpaid family caregiver, but she’s forced by circumstances to be plucky, brave, and heroic.

    These circumstances, i.e. breast cancer, turn out to be, as King says, a lucky gift. In fact, breast cancer has given her such a marvelous opportunity for personal growth, she’d do it all over again in a heartbeat. We never hear about the dead women, of course, since their demise does nothing to reaffirm faith in the medical establishment, the government, patriarchy, the status quo, the Ford Motor Company, Avon cosmetics, or Hooters.

    Observes King

    The new version of individual responsibility allows women to get sick but not to die, and in circulating the ideal model of survivorship, succeeds in selling an enormous range of goods to consumers, raising millions of dollars for large nonprofits, and garnering votes for politicians eager to find an issue that positions them as prowomen but not profeminist. This model also helps maintain support for high-stakes [research], early detection, and cure-oriented research to the virtual exclusion of other avenues of exploration.

    Thanks to the cancer industrial complex, now everyone can participate in marketing cheap crap to consumers, maintaining a “tyranny of cheerfulness,” and preserving the blue-eyed American family fantasy with its sentimentalized white nurturing mother centerpiece. It’s as easy as buying a bag of junk food.

    Yeah, tell that to the walnut-sized tumor that my mammogram failed to notice. I guess I just wasn’t plucky enough.

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    *In order to work up any enthusiasm for these, or any films made by and for proponents of patriarchy, the spinster aunt must confine her aesthet-o-meter to stuff like the quality of the cinematography; dwelling on feminist analyses of narrative or characterization merely fans the icy purgatorial flames of resentment. Not that I advocate blowing off critical readings of film, no no no. But let’s face it; in the context of broken-ankle-recuperational TV entertainment, there is no movie that does not turn on a paradigm of male dominance and contain a rape fantasy, or some version of virgin vs. whore, or both. In “Hud” Paul Newman tries to rape Patricia Neal, who tells him the next day on her way out of town that if he’d just waited a while longer, she’d have done him of her own volition because he looks so hot with his shirt off. In “Winchester” Shelley Winters plays an archetypal dance-hall gal with a heart-o-gold, who is of course kidnapped and abused by the villain before being rescued — and thereby claimed — by Jimmy Stewart, who refers to her always as “the girl.” Go patriarchy!

    **Although, contrary to what the propaganda might suggest, and despite the enormous cute pink resources thrown at it, breast cancer treatment remains just as primitive and barbaric and unreliable as it was 30 years ago, and the incidence of the disease, far from declining, is actually increasing at an alarming rate. The figures almost seem to suggest that Komen et al, with their asinine walks “for the cure”, have devised an excellent means of encouraging breast cancer rather than curing it.