
Later on I’ll have a few remarks on the remarkable resilience of the myth of sexual repression, viz. the mean, scrunch-pantied city hall “nannies” who proposed — unsuccessfully, it turned out — to deprive Seattle’s furtive dicks of their right to lap dances, but first, a Texas longhorn heifer.

This is her mom.


12 comments
a
November 13, 2006 at 2:21 pm (UTC -6)
Your photos really make me miss Texas, Twisty. Hopefully I’ll be spending some time in San Antonio and Austin next summer. I’m a Corpus Christi baby, myself — some things you can never get out of your blood.
Sylvanite
November 13, 2006 at 3:19 pm (UTC -6)
Those are some intimidating horns on that cow. I wouldn’t mess with mama!
Sara
November 13, 2006 at 3:21 pm (UTC -6)
Cute cows!
Loving the straight line of critter pics you’ve featured lately. Zippy, Bert, and now a pink-nosed heifer and his/her mama — pretty great. Thanks.
Buttercup
November 13, 2006 at 3:43 pm (UTC -6)
that heifer is fracking adorable.
looking forward to your remarks.
Betsy
November 13, 2006 at 4:42 pm (UTC -6)
Wow. Visions of Lascaux on that second picture.
Twisty
November 13, 2006 at 4:46 pm (UTC -6)
Yeah, those cave painters weren’t just whistlin Dixie.
Edith
November 13, 2006 at 8:24 pm (UTC -6)
No offense Twisty, but I really don’t like this lens. Love the animals, though. I hope I’m not testing your (or the spamulator’s) patience.
witchy-woo
November 13, 2006 at 9:21 pm (UTC -6)
I just want to hear about the reasons behind the non-justification for depriving the furtive Seattle dicks of their performances of live misogyny.
Call me a feminist. Not the fun kind. Ya boo sucks.
scratchy888
November 14, 2006 at 6:45 am (UTC -6)
cutesy
robin
November 14, 2006 at 11:40 am (UTC -6)
I wouldn’t call it “cutesy”.
“Cowsey” maybe, but the heifer and mom have dignity at any rate.
(Idly vamping while waiting for Twisty’s next post.)
Edith
November 14, 2006 at 12:00 pm (UTC -6)
“Cowsey” is a very cutesy word.
darkymac
November 14, 2006 at 11:44 pm (UTC -6)
Yeah, those cave painters weren’t just whistlin Dixie.
Maybe they were, but it looks good anyway.
A recent nyrb review looks at a writer who reckons much of the Lascaux – and all paleolithic cave drawing in general – is more likely adolescent boys tossing sketches off in the way graffiti is done these days, than high art. But the evidence he summons appears to be as shaky as all the stuff on which art history reams have already been written.
Tantalising. I shall have to read the book for better understanding of the arguments.