Monthly Archive for June, 2010

Art Week 2: The (artless) future lies ahead

People sure get nervous when I postulate an art-free future as a desirable outcome of feminist revolt. If this nervousness is because you work in the arts and are already anxious about job security, or because yours is a poetical nature and you are enamored of the Artist Mythos, fear not. You’ll be long dead before art takes a powder.

Regarding this mumbled off-hand remark I made on the last Art Week post:

Like everything else, all art proceeds from the auspices of patriarchy, and the vast majority of it replicates patriarchal mores. “Pure” art — that is, art that is unsullied by commerce, oppression, or patriarchal hegemony — may exist, but I doubt it. For that to happen, post-patriarchal conditions would have to obtain, at which point art itself would, paradoxically, be irrelevant and meaningless.

Everyone wants to know what I mean about art becoming meaningless in a post-patriarchal society. I regret that I didn’t bother stating it more crystal-clearly, because it’s a way cool but kind of weird idea. What I should have said is that in a post-revolutionary society, art as an expression of the ideal within patriarchal culture — which is what all art is since nothing lives outside of patriarchal culture — will vamoose of its own accord. And lo, everyone will be fine with that, because by then art won’t be needed (“bad” art and pornography, of course, will disappear along with it, because social conditions that permit both the artification of the mediocre and the fetishization of oppression will no longer exist).

Culture, oppression’s evil henchman, will vanish as well.

It’s an idea that I swiped (as I so often do) from Firestone on accounta it’s so goshdarned appealing. Firestone speculates that when humanity transitions from a state of revolution to the ultimate state of self-determination, culture disappears and art merges with reality. This “building of the ideal in the real world” will be, she says, accomplished through technology. The ideal won’t need to be imagined or expressed artificially by artifice through art anymore, because it will exist actually. In essence, science + aesthetics kills culture, masters nature (in a good way!), and saves humanity and the world! *

Read her book. It’s very uplifting hippie sci-fi shit. You’ll like it. Here’s the first chapter.

I Blame the Patriarchy is really, deep-down, a Shulamith Firestone fangirl site.

Fun fact: Firestone is Canadian!

Meanwhile, I don’t wanna put words in anyone’s mouth, but I suspect that a percentage of the seemingly anti-art blamers are not so much anti-art as they are anti-culture. More powah to’em. Down at Spinster HQ, when we’re sprawling around the break room with a pitcher of margs, not a chin-wag goes by but what some aunt doesn’t declaim “Culture’s gotta go. It’s guk growing in the hegemaniacal petrie dish, a set of behaviors upon the successful assimilation of which a given individual is ruthlessly judged by her prejudiced peers and parochial overlords. Fuck culture!” And everyone hoists her glass and says “amen to that, Lady Di!”

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* See p. 162-174 of the 2003 paperback edition of The Dialectic of Sex

Spinster aunt rips off dudely comedy-joke from Internet

From PunditKitchen [ http://3.bp.blogspot.com/_lm2JI7sGwYI/TBfHRL7Fa_I/AAAAAAAAJ7M/BgU9vMPB53g/s1600/Terminator.jpg ]

[From PunditKitchen via jobsanger.]

Art Week at last: read it and weep

Jill Is Great

Faster Family Art Factory, Jill Is Great, Collection of Spinster HQ, Gift of the Faster Nieces, 2010. The idea is legitimized by the frame!

When rape apologists and misogynist pervs defend their crap-ass pornography as art, I say let’em. Well, first I say fuck’em, because they’re sociopaths. But then I say let’em. Let’em have that splintery old bone of contention. So what if Paddy the Pornographer calls his deviantART voyeurfest “art”? What’s the big whoop? Fine, it’s art already. You’re still a fucking perv exploiter motherfucker.

That’s right, I’m saying pornography is art. Take a Xanax. It’s not like art is God or something. The way I see it, art has no problem sinking to the level of pornography.

Now that that’s out of the way, we can get down to the business of radical feminist critique of that shit. We can get on with the case against art of violence, art of oppression, art of human suffering, art of titillation. If pornographers don’t have to defend pornography as art, we can force’em to defend it as good art. Which is of course impossible! Good art is informed by Truth ‘n’ Beauty, not by violence, oppression, human suffering, and titillation.

A feminist critique of art calls for a demystification of the academic canon of Great Dude Masters Through the Ages anyway, and of the creative process in general. Get Art down off its high horse. Give women and people of color their due. Legitimize once and for all those traditionally undervalued, non-white-dude art forms: pottery, tapestry, embroidery, quilting, illuminated manuscripts, potholders made out of poodle hair on Etsy.

Art, art, art. Art isn’t holy. It doesn’t float on gossamer truth-wings in a rarefied aether of absolute beauty. Art is merely the graphic representation of ideas, presented from a point of view. Good ideas, bad ideas, medium ideas, ideas that other people have had already, ideas that initially seem clever but get kind of old once the novelty wears off, startling ideas, political ideas, glorious ideas, ideas that fucking stink.

A few ideas typical of those that find their way into art:

Symmetry
Horse
Angst
Orange
Square
Rectangle
Hopelessness
Buy This
God Can Kick Your Ass
War Is Bad
Flowers Are Pretty
Less Is More
Women Are Whores
The State Is Glorious
Dudes Are Great!
Whoring Is Great, Too!
Look At These Fucking Naked Chicks Taking A Bath In The Woods!

Like I said, not all ideas are good ideas, and not all representations are philosophically legitimate representations. Artifying an idea doesn’t automatically legitimize it. Some ideas, such as “the male gaze reigns supreme” and “women enjoy oppression,” not only suck, they are so violent and antisocial that it is impossible to represent them without harming innocents.

Some art — this is the rarest kind — enbiggens its audience. I allude to the sort of crap that, when you look at it, seamlessly transmits to you its philosophic value. Suddenly you yearn to get off your ass and foment unrest, or wish to do good works in the community, or vow to start eating better, or sign up for a class, or experience something grave, excellent and out of the ordinary, or go “ha!”, or regard the status quo with renewed suspicion.

Certainly lots of art, such as advertising graphics, or Koons’ “Michael Jackson and Bubbles”, which is the graphic representation of vacuous excess, ensmallens its audience. Some art merely has a null value, like the framed poster of Monet’s water lilies hanging in your dentist’s office. Most public art is created for money and/or propaganda; both money and propaganda, it is widely agreed, ensmallen those caught in their respective vorteces of evil.

Pornography does not merely ensmallen, however; it actively devours Truth ‘n’ Beauty. Pornography is the graphic representation of rape, presented from the point of view that rape is awesome.

Like everything else, all art proceeds from the auspices of patriarchy, and the vast majority of it replicates patriarchal mores. “Pure” art, that is, art that is unsullied by commerce, oppression, or patriarchal hegemony, may exist, but I doubt it. For that to happen, post-patriarchal conditions would have to obtain, at which point art itself would, paradoxically, be irrelevant and meaningless.

Cheerio!

Spinster aunt pukes on Jeff Koons (but it’s not Art Week yet)

Tit tape

Figure 7a. Are your boobs affected by gravity? Tit-tape ad promises product will banish unsightly boob saggage for 10 bucks. Product is an adhesive used to tape the top of your boob directly to your chest. TV commercial shown during Jeff Koons bio on the Ovation channel.

I wasn’t expecting to discuss this dick during Art Week, but because I still haven’t had time to sit down and compose myself, using meaningful words to express my innermost feelings on the topic, I may as well take this moment to blurt that I accidentally just saw 10 minutes of an artumentary on American artist Jeff Koons, wherein the self-promoting plastic-coated hack expresses surprise at “the reaction” to that super tacky 1991 series of sculptures and paintings depicting him pronging his wife. The reaction was that the series was more porn than art.

Koons! His work is fuckin ugly and his clever little joke is played. He is so 20 years ago! What is this crap doing on television? Where are The Real Housewives of New Jersey?

Koons to self: “What ugly-ass piece of dime store garbage can I immortalize in chrome and sell to rich morons as a monument to their own vulgarity? Hey, I know! How about this fuckin ugly inflatable toy rabbit?”

Never heard of Jeff Koons?

Arts journalist Arifa Akbar reported for The Independent that in “an era when artists were not regarded as ‘stars’, Koons went to great lengths to cultivate his public persona by employing an image consultant.” Featuring photographs by Matt Chedgey, Koons placed “advertisements in international art magazines of himself surrounded by the trappings of success” and gave interviews “referring to himself in the third person.”

Koons then moved on to Statuary, the large stainless-steel blowups of toys, followed by the Banality series that culminated in 1988 with Michael Jackson and Bubbles, a series of three life-size gold-leaf plated porcelain statues of the sitting singer cuddling Bubbles, his pet chimpanzee. Three years later, one of these sold at Sotheby’s New York for $5.6 million and was in the permanent collection of the San Francisco Museum of Modern Art. [From Wikipedia. Sue me; no time for real research]

A dudely voice avers in the artumentary that in the wife-pronging works Koons purports to give the viewer the opportunity to revel in the beauty of the human boink while relieving us of any embarrassment we might feel. Koons relieves this embarrassment, quoth the voice, by magnanimously taking on the task of fucking the sexxxy woman himself, I guess so we don’t get any smut on the rest of our art collection. What a gentleman.

Koons claims with a straight face that there no similarity whatsoever between his work and pornography. Even though the wife is, in real life, Ilona “Cicciolina” Staller, one of the most famous porn star/parliamentarians in the world, and he has dressed her in regulation pornwear, and has positioned her submissively in regulation porn poses, and has reproduced the images and pimped’em out. There can be little doubt how Koons feels about his own role in the business; his wife is a passive receptacle, but he depicts himself as that buff and noble Adam character from the Sistine ceiling, the one created by God in His Own Image. Only with his hand on Cicciolina’s ass.

Koons calls this series “Made in Heaven” but a more appropriate title would have been “Check Me Out, I’m Screwing a Hot Porn Chick”.

In the artumentary, Koons says the depictions of himself pronging his famous porn star wife — pimped to the public as art — are an expression of his, and by extension, all human, “sexuality.” This is unsurprising, as men typically lack the ability to distinguish between oppression/exploitation/porn and actual sex. Celebrity art dicks, in particular, appear to be sorely afflicted in this regard, what with their polyurethaned narcissism running amok and spilling out of televisions into spinster bunkhouses without the slightest provocation.

Koons is a smug, smooth, depraved asshole. It’s small wonder that he lists, both as his influences and as the artists with whom he expects to be grouped in art history books, the usual bunch of misogynist asshole dudes from the 20th century canon.

Staller is reportedly suing him for unpaid child support.

It is impossible to look at this crap and not feel like a voyeur, a degraded perv complicit in another woman’s sexploitation, and an agent of the debasement of the entire human species. Is it art? Sure, why not! But it stinks!

Make that Friday. Or possibly Sunday.

Eastern phoebe chick

I am not bailing on Art Week. Not me, mang. But I must emerge from Denial Town to announce that its official commencement has to be postponed again. I am experiencing more events, circumstances, and — I’m serious — hooplas — than I had anticipated when I announced the original postponement. Did I say Saturday? Factor in the high probability that there will be outcomes, consequences, and aftermaths, all of which will require heedfulness at the very least, if not full-on activity, and we’re looking at Monday or even Wednesday before I’ll be able to maneuver a grateful keister back into the lime green recliner.

It’ll at least be sometime before August. Of 2011.

Meanwhile, enjoy one of the 2010 Eastern phoebe chicks from the Spinster HQ Motor Pool nest. They were flappin wings all day today, and packing bindles, and one of’em was singing “babe I gotta ramble”; they’ll be hitting the trail tomorrow, I guess.

UPDATE, 7AM: Only two out of four phoebes left. So it looks like I’ll be dealing with Empty Nest Syndrome on top of everything else!

Did I say Monday? I meant Tuesday.

South Jefferson Ave, St Louis MO, 1957
Portrait of the artist as a young wanker. St. Louis, MO, 1957. Photographer unknown.

In fact, it might actually be Wednesday before I’ll be able to clear the SpinstaCalenda for Art Week.* Unforeseen circs, etc. In the meantime, I suggest that interested parties take this opportunity to consider the definitions of some of the terms likely to be bandied during the discussion, and some of the questions, and post’em here.

Take “art,” for example. What the hell does it mean? Or “pomo asshole”? Or “the intersection of art and commerce”? How does one interpret Simone de Beauvoir’s remark “art is the attempt to integrate evil”? Also, does modern art by women have to contain human blood in order to be taken seriously? And if a painting falls in the forest, and there’s no critic lurking nearby to curl a lip at it, is it art? Also, is self-expression really necessary? Also, just how classist is this discussion in the first place?

Etc.

Have fun.
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*Just joining us? Art Week is gonna be one of those

Heads up! Art Week starts on Monday

Now that Science Week is over [and what did we learn? That you can't get smart without oppressin' somebody somewhere, that's what. Which is hardly surprising, since (as I've been gently, kindly, and with the patience of Job trying to explain the Internet for the last 5 years) patriarchy isn't just some vague academic concept invented by fat chicks who can't get laid, it's the world's most popular world order, and it's actually predicated on oppression, and its sphere of influence is infinite, therefore science can't exist outside it, therefore revolution is the only solution, blah, yadda, etc] it’s time to focus the jaundiced lens of blaming scrutiny on Art.

Although if I might just make one last observation: the idea of the “natural” world as separate from human culture? Nope.

Let me ask you this. At what point does human culture depart from the Natural? With the invention of computers? TV? Cars? The cotton gin? Electricity? Taco stands? Gunpowder? The printing press? Written language? Shoes? Crop cultivation? Yurts? The wheel? Did humans become unnatural when the good old days of picturesque, endless agrarian toil, feudal oppression, unchecked disease, ignorance, and death from dysentery at 35 turned into the bad new days of urban post-industrial capitalism where a pound of fair-trade organic coffee costs $12.99 and your email inbox is full of spam?

Pah. Everything humans do, or have ever done, is “natural.” We can’t do anything else. The idea that modern culture is un-natural is nostalgic and inaccurate. Living off the grid in a yurt is “good” in some absolute sense, whereas driving an SUV from a suburban bungalow to the stripmall is “bad”? Come on. This a romantic, but misguided view. The cosmic reaction to a 20′ Ford Expedition is the same as to a sanctimonious Prius: bupkis. The universe doesn’t give a fuck about you or your lifestyle choices. It doesn’t give a fuck about the economy, oil spills, or civil unrest in Blargistan. It doesn’t give a fuck about katydids. Eventually our whole planet will be erased from space, and the galaxy won’t bat an eye. The inevitable extinction of our species (imminent, according to research here at Spinster Laboratories) via the exhaustion of available resources is as natural as a fresh-picked peach. As Andre 3000 and other dude philosophers have observed, nothing is forever.

Yes, yes, when people use the word ‘natural’ what they really mean is ‘free of chemical additives’ and maybe some of the assorted hippie concepts that go with that narrative. Barter economies, home furnishings made from bamboo, vegan cookbooks, living in the country. While I would argue that it is just as natural for people to put chemical additives in things as it is to not put chemical additives in things, I admit that it is appealing to fantasize that the source of human misery is an unnatural isolation from Nature, and that doing yoga on an organic rubber mat and drinking organic spinach smoothies will put me back in sync with the cosmos.

But alas, I’m already in sync with the cosmos, and so are you. In other words, this is it. This is what we’ve become, and this is what we get. Which is not to say that a person can’t fantasize about a verdant paradise full of songbirds and polar bears and Bengal tigers, untouched by human influence. Only, that world isn’t a world we could actually live in. The minute you add “contented children, lazy from a carefree day at the swimming hole, eating ripe plums on the porch at sunset” to that scenario, natural history changes, and it’s right back to our scorched-earth dystopia. Our giant brains use up resources, it’s as simple as that.

As long as we’re still here, though, we might as well try to make the best of it. Which is why I say bring on the cyborg fetus incubators, and Art Week.

In my enthusiasm for the project at hand, I Googled “women art.” Amazon came back with this result:

Women, Art, and Society by Whitney Chadwick , which discusses women artists through the ages and how they came to be given the heave-ho by the keepers of the Great Art Canon. What’s this doing here?

Gifted to Lead: The Art of Leading as a Woman in the Church by Nancy Beach. “Nancy desires that women will fully engage in the dangerous and thrilling adventure of using their leadership gifts to advance the kingdom of God. The path won’t be easy . . . but God will never leave you alone. ” Now this is more like it.

The Best Things in Life are Topless (Woman and Beer) Art Poster Print by Poster Revolution. From the Home & Garden section! Art for the people! Now we’re getting to the crux of the matter. Customers who viewed this item also viewed posters with images of beers squished between women’s breasts and thighs, along with about 30,672 other pornographic posters featuring beer as a subtle metaphor for rape.

Cheap Monday The Tight Jean in Art, Denim for Women. Price, $64. Art in this case is a color. Customers who bought art-colored tight jeans from Amazon also bought “Sexy Metallic Stretch Booty Shorts” and “Sexy Black Rubber Look Mini Skirt.” Awesome.

Also, Salvador Dali mousepad, featuring “Woman Sleeping in A Landscape.” More awesome. Why not get one for Dad? He’ll enjoy rolling his mouse over this charming painting of a naked woman with her skull bashed in, brains hanging out, wrist chained to a dead tree, because it is beautiful and important, having been painted by a 20th Century Master.

Well, what’re you waiting for? Get crackin!

At Last! The End of Science Week

Quoth blamer Nails,

“I am sick of science vs intuition and the deep questions that it brings forth.

Alas, deep questions that make people sick are the bread and butter of a patriarchy-blaming blog. I have to admit, though, that this particular science vs intuition flap gave me a brain-wedgie. While I fully expect advanced blamers to join in the Fuck the Establishment Chorus, it sort of blew my lobe to contemplate that so many blamers would take it to the extent that they openly live hunch-based lives.

Ah well, chacun à son goût, as American bloggers who took high school French say.

Meanwhile, it appears that my position on Science needs clarifying, so that people will know whether or not to revile me as a turncoat brown-nosing patriarchy sympathizer. Here goes.

This spinster aunt continues to advocate feminist revolt, which revolt would necessarily include a total annihilation of the dude-based science industrial complex. I postulate that science, when performed outside of a paradigm of dominance and submission, could do nothing but enbiggen human enlightenment.

Once liberated from the obligation of proving the legitimacy of oppression (homosexuality is a disease, lobotomy cures mental illness, males are hardwired to require porn) and of improving methods of enforcing oppression (spyware, offshore drilling, mind-control brain-eating nanobots) science will exist only to advance the cause of human contentment and taco enjoyment.

But I vigorously agree that putting any faith whatsoever in current dude-dominated science cabals is not the path to feminist triumph.

I mean, cheeses, speaking of science justifiying oppression, just today, at Pharyngula, I read about some predatory butcher MD who roams the countryside surgically sculpting toddler clitorises according to their parents’ whim, and then, in the follow-up, he pervs out on’em with vibrators! Holy motherfucking shit! As one commenter remarked,

This went through the fucking peer review process, and in all of that no one who encountered it thought it was wrong. No one who reviewed it, edited it, printed it, or read it for the last three years stopped and thought about the fact that what those “sensitivity studies” [the vibrator sessions] amounted to was sexual assault on elementary school-aged girls year after year after year.

Despite the reasonableness of their response to female genital mutilation, if the gang over at PZ’s may be said to represent a self-selected sample of progressive science-thought, things do not necessarily bode well for the revolution. The other day over there I broached one of my pet subjects, the good old cyborg fetus incubator, and the response was bafflement. “Why would I want to do away with the one thing women are good for?” was more or less the theme. “Reproduction is women’s essence.” It apparently hadn’t occurred to anyone that freedom from the tyranny of reproduction is essential to women’s liberation.

In closing, I reiterate:

Fuck the establishment.

Spinster aunt beats dead horse

Stinkhorn
This lone stinkhorn mushroom is the only entity anywhere in Cottonmouth County that doesn’t have a katydid stuck to it.

Unsurprisingly, my award-nominated (I personally nominate all my work for awards, to compensate for the fact that, incomprehensibly, I am so often overlooked by committees) vid lampooning the anti-science lifestyle choice, has generated some jaundice.

It occurs to some of us here at Spinster HQ that the only way to avoid hurting anybody’s feelings ever is to shut down the entire obstreperal lobe and become a pillow.

Not that empillowment is without its own controversies, because what do you stuff the pillow with? Not feathers, surely, or wool, or silk, but aren’t synthetics their own special sort of politically incorrect scourge? Which leaves grass clippings, but what with all the katydid poop and raccoon dander lying around, questions of hygiene are raised.

Anyway, you’re all good sports, especially those of you who joked that I drive away my loyal “followers” with elitism. Unless — hey, wait, what? Were you serious? Because that hurts my feelings.

Mang, this science vs intuition “debate” has gotten completely ridic. Awesome! I will speak of nothing else for the foreseeable future!

I think we can all agree that when you define science as a method for acquiring knowledge, and intuition as the spark of intelligence that ignites inquiry (although maybe a better word would be genius), we’re all pretty much on the same page.

Is there a magical form of feminine insta-knowledge what spontaneously erupts on unicorn rays in the unseen 5th dimension of the human metaspirit? Why not? Just show me the data and we’ll be cool.

See? We’re getting along great now.

But oy, elitism. It’s always the way when knowledge becomes specialized. Subcultures bubble out of the general magma, standards and practices become codified, skills get required, expertise becomes venerated, a canon is established, as well as a hierarchy, practitioners become eccentric egomaniacs, gatekeepers show up to protect them from the rabble, and the subculture becomes more and more detached from the teeming throng from which it spranged even as its influence spreads like I Can’t Believe It’s Not Butter on a frozen toaster waffle. And then someone from the throng says, “Hey, bite me you elitist asswipes, we don’t need you, we’re going back to the way we were before your delusions turned you into a megalomaniac, because those were the good old days.” And then some spinster aunt says, “Hey, yerself! As the world’s leading expert on expertise, I think you’re throwing the baby out with the other babies!”

What am I saying? Just this:

You don’t have to be Martina Navratilova to play a game of tennis.

And I should know, because I’m not Martina Navratilova.

There are other things you don’t have to be in order to do things. You don’t have to be a professional 70’s pop star-cum-tragic figure to crank up “Close To You” and go “wah-ah-ah-ah-ah, close to yew!” after the tacet interlude. You don’t have to have ironed Jean-Paul Sartre’s shirts to nod in vigorous agreement when you read in The Second Sex that all oppression creates a state of war. You don’t have to be the Weatherman to blow up the Pentagon. And you don’t have to be a tenured science knob to appreciate the process of scientific inquiry.

As VinaigretteGirl points out, you can (and should) do experiments in your closet for fun. I’m doing one right now where I’m testing the structural integrity of a typical household wicker laundry basket, primarily by never unloading it into the washing machine. What a gas! More complicated endeavors, like collecting soil samples from Pluto’s surface to analyze for Crystalline Entity droppings, can be admired from afar as a spectator sport.

The purpose of scientifical pursuit, in the pure form most admired by middle-aged spinster aunts, has less to do with being published in Nature, or using jargon on dude science blogs to shut up the people who didn’t go to college, or advancing the megatheocorporatocratic agenda, than it does with simply enbiggening human enlightenment. The enbiggenment of human enlightenment is always conducted on the individual level. Whenever a glob of comprehension supplants a glob of incomprehension in a human brain, the Dark Side (or the Tyranny of Ignorance, if you like, or the Black Thing) gets bent. Whenever that happens, the whole species is collectively that much better off. Consult any 6-year-old for further information; globs of knowledge supplant globs of ignorance in their brains on an hourly basis, and they really seem to dig it.

Anyway, am I saying “Yay Big Pharma! Keep inventing cancer drugs and charging $40,000 a year for’em!”? No. Am I saying, “Yay, the Women’s Oppression League has just endowed a foundation for the advancement of evolutionary psychology!”? No. Am I saying “When a thing does a thing and you don’t know why, would it kill you to find out?” Yes. And it doesn’t even matter if somebody has already answered the question you’re asking. Check out this inspirational personal anecdote:

The other day I realized that I’m 50 years old already and I still don’t know how katydids make that deafening racket like unto 876,932 small pulsating dentist drills that keeps me awake all night. So I hoisted my ass up out of the lime green recliner and nabbed a specimen for the lab.

Minuscule katydid

It wasn’t hard. All I had to do was stick my hand out the window, since there is no square inch of El Rancho Deluxe that is not populated by a katydid. Every tree, shrub, cactus, rock, tractor, and blade of grass is literally crawling with katydids. The bunkhouse itself appears to have been dipped in a vat of katydids. A lady from another planet, upon observing the tableau, would conclude that a large, fleshy pink entity is being held captive in a limestone nest by a race of screaming green rattly leaves.

But I digress.

Back in the lab, I inspected my katydid with a magnifying glass and poked it with the eraser of my Ticonderoga #2 pencil, whereupon I was able to determine that my specimen had no intention of making any noise of any kind whatsoever. Several katydids later, I finally figured out how they make the racket. It was pretty satisfying. Now I’m telling everyone I know about the katydids. Nobody cares, unfortunately.

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Katydid nymph photo [above] taken May 2009. Adult katydids (the ones around here, at least) look like leaves:

Katydid

The video the real feminists don’t want you to see